In my early days, i used to write music on paper, after my former fascination with graphic scores and music writing. In 1994, Wave Field determined a shift in composing methods, becoming sound itself the basis and matter for all the music. Sound-based thinking produced unwriteable music, so i just stopped writing.
AER 4 (1987)
Harmonic sequence.
Módulos de Função Variável (1991)
Computer piece written in BASIC, consisting of a variable parameter to be applied to anything. Used to perform another computer piece, AE3.bas.
AER 7 E (1992)
This piece appears, like AER 4 above, on Sound Mind Sound Body.
Score for Two Points in Space (1992)
Realization score. Written as a tribute to John Cage, shortly after he died. “Open” piece applying several composition methods he pioneered.
Score for Two Points in Space (1992)
Orchestral score, version for 16 instruments.
John Cage, Variations II
This is the realization of the piece for the LOVE project, 1993.
John Cage, Cartridge Music
This is the realization of the piece for the LOVE project, 1994.
Módulos 1 – 32 (1990)
Also titled Sand Precision in the version that appeared on Early Works, this is a modular piece for guitars and bass, often mistakenly described as improvisation.
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