Electronic Music, Free Jazz and Eastern Spirituality

By the early 1990's i was deeply interested in the music and ideas of John Cage. I read most of his books and i was fascinated by several features of his thinking, which is known to be profoundly influenced by Zen Buddhism. It was also about this time that i've had my first creative encounters with Sei Miguel. I was very impressed by the accuracy of his direction methods that yielded such open yet precise results. As i shared my passion for Cage with him, i accidentally triggered a major change in Sei Miguel's vision. Cage’s ideas had a big impact on him and what he did with them had in turn a big impact on me. Our fruitful collaboration continued, and by 2004 i started to write and perform music closer to jazz, but using experimental electronic instruments and silence as a fundamental value — what i called the "Space Program". Later on i began to direct my own Space Collectives. I adopted many of Sei Miguel's methods, including his Cagean visions applied to Jazz, in my own playing and direction. More recently, i went through a process of spiritual renewal which included moving to the countryside, learning about spirituality and practicing meditation. I was surprised to find that many of the spiritual teachings were very familiar, for in fact i wasn't fully aware i had practiced them for decades in artistic expression. With an insider's perspective on the same kind of spirituality that interested Cage back in the 1950's, it came full circle as it dawned on me that defining features in my practice and thinking such as space, silence, unpredictability, agency, responsibility and acceptance, can be traced back to it. Its influence arrived to me on very diverse angles, first via John Cage (stillness in listening, accepting unforeseen results, the infinity of silence as empty space), later through Sei Miguel, and then directly (as personal development). It manifested in different directions as well, towards electronic music through the design of instruments with unpredictable behavior, towards Jazz through shifting elements of time in a generative way, and in my own life. So what i'm doing appears to be in this odd intersection of Zen, Electronic Music and Free Jazz.

News

Studio Tapes (1987 – 2003) Vol. 2

Studio Tapes (1987 – 2003) Vol. 2 is now available again, exclusively on Bandcamp. Tape recordings of studio experiments, odd tracks and rare stuff.    

Wave Field Remastered

I have recently uploaded my entire discography on Bandcamp, and i realized Wave Field needed remastering. It sounded a bit thin and narrow to me, when it should sound more…

Vital Weekly

I played this tape and I must say I enjoy it to
some great extent. Maybe it’s the reduction in instruments, just drums and synth, and
not the extended jazz ensemble, which makes everything much cruder in approach.

Foreign Accents

This is experimental electronic music operating at a higher level of deliberation and thoughtfulness than nearly everything else in sound synthesis and free improvisation

2015 US TOUR

Tuesday 15 September solo Brooklyn, NY, US Friday 18 September solo Machines With Magnets Pawtucket, RI, US Saturday 19 September solo Washington Street Arts Center Somerville, MA, US Sunday 20…

Workshop in Manhattan

I'll be coming to New York and share the Space Program Workshop — principles for articulate, spacious performance of electronic music. It's on September 16 and 17 at Harvestworks. Please…

Upcoming US tour, new studio and new release

After a period low in activity (but full of it in other areas of life), gears are turning again. – The new Noise Precision studio's building is finished, opening later…

Workshop and concerts in the UK

October 26 – 28 – London, Cafe OTO – Workshop: "Rethinking Electronic Music" *CANCELLED* October 29 – London, Cafe OTO – Double bill with Anthony Pateras October 31 – Bradford,…

Manifesto for electronic music

I have condensed my thinking on musicianship and electronic music in the form of a manifesto. It’s been translated into several languages. Get in touch if you’d like to discuss…

LOVE

New release – Free download  

More

Concerts

    There are no dates yet.

Archive

News

Studio Tapes (1987 – 2003) Vol. 2

Studio Tapes (1987 – 2003) Vol. 2 is now available again, exclusively on Bandcamp. Tape recordings of studio experiments, odd tracks and rare stuff.    

Wave Field Remastered

I have recently uploaded my entire discography on Bandcamp, and i realized Wave Field needed remastering. It sounded a bit thin and narrow to me, when it should sound more…

Vital Weekly

I played this tape and I must say I enjoy it to
some great extent. Maybe it’s the reduction in instruments, just drums and synth, and
not the extended jazz ensemble, which makes everything much cruder in approach.

Foreign Accents

This is experimental electronic music operating at a higher level of deliberation and thoughtfulness than nearly everything else in sound synthesis and free improvisation

2015 US TOUR

Tuesday 15 September solo Brooklyn, NY, US Friday 18 September solo Machines With Magnets Pawtucket, RI, US Saturday 19 September solo Washington Street Arts Center Somerville, MA, US Sunday 20…

Workshop in Manhattan

I'll be coming to New York and share the Space Program Workshop — principles for articulate, spacious performance of electronic music. It's on September 16 and 17 at Harvestworks. Please…

Upcoming US tour, new studio and new release

After a period low in activity (but full of it in other areas of life), gears are turning again. – The new Noise Precision studio's building is finished, opening later…

Workshop and concerts in the UK

October 26 – 28 – London, Cafe OTO – Workshop: "Rethinking Electronic Music" *CANCELLED* October 29 – London, Cafe OTO – Double bill with Anthony Pateras October 31 – Bradford,…

Manifesto for electronic music

I have condensed my thinking on musicianship and electronic music in the form of a manifesto. It’s been translated into several languages. Get in touch if you’d like to discuss…

LOVE

New release – Free download  

More

Electronic Music, Free Jazz and Eastern Spirituality

By the early 1990's i was deeply interested in the music and ideas of John Cage. I read most of his books and i was fascinated by several features of his thinking, which is known to be profoundly influenced by Zen Buddhism. It was also about this time that i've had my first creative encounters with Sei Miguel. I was very impressed by the accuracy of his direction methods that yielded such open yet precise results. As i shared my passion for Cage with him, i accidentally triggered a major change in Sei Miguel's vision. Cage’s ideas had a big impact on him and what he did with them had in turn a big impact on me. Our fruitful collaboration continued, and by 2004 i started to write and perform music closer to jazz, but using experimental electronic instruments and silence as a fundamental value — what i called the "Space Program". Later on i began to direct my own Space Collectives. I adopted many of Sei Miguel's methods, including his Cagean visions applied to Jazz, in my own playing and direction. More recently, i went through a process of spiritual renewal which included moving to the countryside, learning about spirituality and practicing meditation. I was surprised to find that many of the spiritual teachings were very familiar, for in fact i wasn't fully aware i had practiced them for decades in artistic expression. With an insider's perspective on the same kind of spirituality that interested Cage back in the 1950's, it came full circle as it dawned on me that defining features in my practice and thinking such as space, silence, unpredictability, agency, responsibility and acceptance, can be traced back to it. Its influence arrived to me on very diverse angles, first via John Cage (stillness in listening, accepting unforeseen results, the infinity of silence as empty space), later through Sei Miguel, and then directly (as personal development). It manifested in different directions as well, towards electronic music through the design of instruments with unpredictable behavior, towards Jazz through shifting elements of time in a generative way, and in my own life. So what i'm doing appears to be in this odd intersection of Zen, Electronic Music and Free Jazz.

Concerts

    There are no dates yet.

Archive